Where is the reckoning with those who profit from these preventable deaths?

No longer did I need to look behind. Never again because he was dead. And dead men don’t…

The foul of the air is an immersive performance that challenges conventional theatre through its visceral use of bodies, sound, and space. This reflection explores how the work’s intense physicality and symbolic language create a powerful experience that resonates beyond traditional narrative understanding. The foul of the air presented the beauty and the power of physical […]

The whole project relied so heavily on trust, and the result is a broody work about time, grief and memory

To gothicise is to turn towards these conditions and resonances, to tend to rather than shy away from the odorous wounds of history. Festering in the hot Australian sun, their continuous, gaping presence demands it.

rituals helped me shroud this new work in the layers of grief that is resistant to the flows of time.

Caught within both the theatrical and the academic worlds, I have long been fascinated with the public lecture – its rhythm, its timbre and the frequency of facts

What if your home is not a building but a landscape? A river, a coastline, bush, forest, an ice field or desert.

Dusk traditionally presents a romantic palette, but given the current firestorms we are forced to confront a new kind of palette.

Abuse not experienced by many, but by all accounts, too many.