Projects
Research at The Living Room Theatre
Rigorous, Women‑Centred Artmaking for Structural Change
The Living Room Theatre is committed to rewriting societal scripts through a multi‑arts practice that centres women’s experiences and challenges the systems that shape them. Our work is driven by multi‑disciplinary artistic and scholarly research, using performance, sound, movement, and installation to confront systemic injustice and inequality. We amplify themes of trauma, violence, and resilience — not to reproduce harm, but to create new imaginative and ethical spaces for understanding.
As artist and filmmaker Del Kathryn Barton reminds us: “More importantly than the working surface of violence against women… is the inestimable healing capacity of the imaginary world.”
This belief underpins our approach: art as a site of reckoning, transformation, and collective imagining.
A Twenty‑Year Commitment to Research‑Led Practice
For over two decades, Artistic Director Michelle St Anne has pioneered a methodology that positions The Living Room Theatre as both a hothouse for artists and a gymnasium for scholars. Our floor is a site of audacious cross‑disciplinary collaboration — a place where artists, thinkers, and communities come together to interrogate entrenched narratives and engage in critical dialogue about the most urgent issues of our time.
These collaborations shift perception, unsettle assumptions, and open new pathways for understanding the lived realities of women within systems of power.
‘Composing Self’ — Our Core Methodology
Composing Self is Michelle St Anne’s embodied practice of collaboration. It is designed to create safe, self‑determined spaces where artists can take risks, extend their practice, and reckon with their own methodologies.
At its heart, Composing Self values:
- Care — as an ethical and aesthetic foundation
- Kindness — as a mode of working and relating
- Knowledge creation — through embodied, iterative, and interdisciplinary processes
- Inquisitiveness — as a driver of artistic and scholarly discovery
This methodology supports artists to work with complexity, to sit inside difficult questions, and to build practices that are both personally grounded and socially engaged.
Why We Do This Work
Our mission is to rewrite societal scripts through a multi‑arts focus. We do this because:
- Women’s experiences are too often marginalised or misrepresented
- Systems of violence and inequality require new forms of attention
- Art can reveal what is hidden, held, or unspoken
- Imagination is a powerful tool for healing, critique, and change
Through rigorous research and collaborative creation, we build works that invite audiences to witness, reflect, and re‑imagine the world we share.
Image: Cloe Fournier in ‘the foul of the air’ The Lock Up, Newcastle
Photo: Chris Brown
Current Research Projects
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Silence is the Violence
After decades of policy work, frontline expertise and data, we remain at a crossroads — the distance between public rhetoric and lived experience is no longer tolerable.
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The Weight of the Gaze
How we look shapes what we value. This project exposes the unseen labour of women and the ethical force carried by every act of looking.
Past Research Projects
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ana & lis (2024-)
Through sonic dialogue and play they explore the sounds of places, spaces, instruments and objects.
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Modalities of Listening
Through music, performance, and Auslan, this research explores the ways that cycles of violence and fear endure and repeat. In a first time collaboration between Michelle St Anne and deaf artist Sue Jo Wright, St Anne shares her framework for ‘composing self’ – an embodied practice of collaboration, constructing safe, collaborative and self-determined spaces where […]
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Live & online dance intimacy
What new possibilities can be discovered when you bleed digital and online platforms through choreographic approaches.
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Sites of Violence
Exploring the ways that cycles of violence and fear endure in Australian bodies and in Australian landscapes, hidden in plain sight.
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The Anastasia Project
The real world experiences of grief and loss caused by shock climate events are emotions often difficult to convey through academic writing. This lab aims to address that problem by providing an avenue through which these emotions are conveyed.
Support the fevered performances and artistic dreamers of The Living Room Theatre, who push the boundaries of theatrical possibilities. Your tax-deductible donation will help us continue to create our visceral fevered worlds that explore themes of violence, trauma, and injustices of the female body in neglected and abandoned spaces.