Imogen Cranna is a cross-disciplinary artist. In 2009, she joined Kay Armstrong’s youMove Company, working with Australian choreographers such as Tony Osborne and Vicki Van Hout. Imogen’s artistic practice incorporates movement, media and music and her own work has featured in the Sydney Fringe Festival (2010), Manly Art Gallery (2011), AIOP/Australia (2013), Eramboo Artist Environment (2009 – 2016), The Joan Sutherland Performing Arts Centre (2016) and PACT (2018)
Between 2013 – 2016 Imogen performed and collaborated in numerous productions with The Living Room Theatre, including Michelle St Anne’s award winning production, I Love Todd Sampson, which premiered at Pier 2/3 in March 2013. From 2014 – 15, she collaborated as the composer and media artist for Cloé Fournier’s full length work, Dining [Uns]-Table. Also in 2015, Imogen performed in Victoria Hunt’s work, Tangi Wai…the cry of water, as part of LIVEWORKS and continued to work with Victoria during PLATFORM 2016 (De Quincy Co) and Wallflowers, (107 Projects).
In 2016, she instigated Syzygy, an event that included performance and an interactive installation that Imogen first presented as the inaugural recipient of the Enliven Pittwater Artist Residency (2014). Most recently, she collaborated as the digital media artist for the 2018 Season of Sarah-Vyne Vassallo’s work, Days Like These at The Joan and performed in The Gauntlet as part of Antidote (2018) at the Sydney Opera House.